![style lyricsx style lyricsx](https://i.pinimg.com/originals/fe/15/e4/fe15e4002294f893288701f276100e81.jpg)
In the Windows 95 pinball game ‘Loony Labyrinth’ – in which you travel back to ancient Greece to rescue something or other from a minotaur chamber while the moon phases are right (maybe? I never beat it) – when you lose a ball, a digitized voice says, “There’s much left to explore.” And I’ve come back to music full-bore because that’s what motivates me to create anything – knowing how many awesome things are out there, waiting to be discovered and explored.
![style lyricsx style lyricsx](https://i.ytimg.com/vi/z3ERUuiFCiM/maxresdefault.jpg)
Similarly when YEDM discovered Restless Mosaic with his first album There’s Much Left to Explore released in February 2021, the name was so apt it was almost too apt: the unfinished nature of this multi-genre soundclash of an album was purposeful and, again, quite concept-driven. The “restless” part, however, makes that sum just a little off the experimental side of the work makes the emotive and emotional whole feel a little, well, restless.
#STYLE LYRICSX FULL#
Like an actual visual mosaic, this artist’s work is intricate, beautiful and its full effect is really only appreciated when one steps back to see the sum of its parts. It’s difficult to ignore, to the point where one has to wonder if this is actually all concept work. Starting with his artist moniker, if apt titling was the only thing needed to get people to listen to one’s music, Restless Mosaic wouldn’t even need press.
![style lyricsx style lyricsx](https://i.ytimg.com/vi/CE3VYR5pRSw/hqdefault.jpg)
This guy is just really good at naming things.